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हमने जो की थी मोहब्बत , आज भी है तेरी ज़ुल्फो के साये की चाहत आज भी है , रात काट टी है आज भी खयालो में तेरे , दीवानो सी वोह मेरी हालत आज भी है , किसी और के तसव्वुर को उठती नहीं , बेईमान आँखों में थोड़ी सी शराफत आज भी है …
Sometimes the goose that lays the golden egg must die, especially when the goose in question is a TV series. Popularity (profitability) comes in the way of creative satisfaction, wherein the TV series meanders, shelling out screen time after it has a hooked viewership, and just because we like the characters and the setting, we …
In the chaotic realm of Crescent’s Christmas party, where gulab jamuns steal the spotlight, students embark on a culinary mission, diligently sorting into groups to bring home-cooked delights. Forget the fashion fuss; our real anxiety lies in the fate of those precious jamuns. Sharing isn’t about profound ideas but the chaotic potluck of preferences.
The gift exchange unfolds like a cinematic drama. Secret Santa is no secret, and the lucky recipient becomes the chocolate hero armed with a Nestle Milkybar that bluntly reads ‘Eat It.’ Destiny, it seems, is intricately woven into the fabric of white chocolate bars, turning a mere gift into a cosmic sign from the universe.
As the party wraps up, we’re not just a bunch of kids with our teachers; we’re a squad of comedians navigating the absurd Crescentian Chronicles, with ridiculous gift dilemmas and the everlasting sweetness of bad gulab jamuns over bad English paper marks. After all, we are the generation that gave Karan Johar his first hit, leaving behind a trail of laughter, chaos, and sugary goodness.
