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October is essentially ‘a film’. It is not a story, it cannot be a novel, it can only be a film. Visuals are the soul of the film, no powerful dialog, none of the excessively dramatic performances we are accustomed to in a hindi film, here the film conveys everything in a subtle sublime manner. …
If you wanted a pure cinematic ‘paisa vasool’ experience, then look no further, the last scene of Rajnikanth’s ‘Kaala’ is complete in all respects. The symbolism of color, and sheer brilliance in portrayal is cinematic magic at it’s best, exploiting the ‘visual’ aspect of the medium, it is satisfaction in itself! There is a tradition …
Tumbbad is story readers delight. For someone who reads a lot of stories or someone like me who watches a lot of stories, the perfection in the structure of the movie is pure pleasure. Mysteries are best when peeled layer by layer and still manage to have that one last surprise shift at the end. …
