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We will be soon moving into a frenzy of celebrations, the biggest, the largest of all, largest on the whole of the earth so to say — Diwali. Diwali is to welcome Shri Ram back to Ayodhya, at least that’s what we are told. Today I see no such thing. Diwali is broadly speaking a …
In the chaotic realm of Crescent’s Christmas party, where gulab jamuns steal the spotlight, students embark on a culinary mission, diligently sorting into groups to bring home-cooked delights. Forget the fashion fuss; our real anxiety lies in the fate of those precious jamuns. Sharing isn’t about profound ideas but the chaotic potluck of preferences.
The gift exchange unfolds like a cinematic drama. Secret Santa is no secret, and the lucky recipient becomes the chocolate hero armed with a Nestle Milkybar that bluntly reads ‘Eat It.’ Destiny, it seems, is intricately woven into the fabric of white chocolate bars, turning a mere gift into a cosmic sign from the universe.
As the party wraps up, we’re not just a bunch of kids with our teachers; we’re a squad of comedians navigating the absurd Crescentian Chronicles, with ridiculous gift dilemmas and the everlasting sweetness of bad gulab jamuns over bad English paper marks. After all, we are the generation that gave Karan Johar his first hit, leaving behind a trail of laughter, chaos, and sugary goodness.
Many like to argue about the role of art in society, importantly in changing the course of social flow. Even the aggressively atheist Richard Dawkins, who otherwise uses every faculty of his, to disprove, dislodge, destroy religion, faith, and God, acknowledges the sublime nature of art, poetry, music. He limits his rationality to debunking God, …
