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Animation films have a way of making deep philosophical commentary, using simple story line and a premise relying on fantasy. Surprisingly, the same fantasy poses an important question for us the the viewer Wall-E Wall-E did it with a simple plot, humorous gags, exciting climax, and yet under all that it posed an important question, …
In the chaotic realm of Crescent’s Christmas party, where gulab jamuns steal the spotlight, students embark on a culinary mission, diligently sorting into groups to bring home-cooked delights. Forget the fashion fuss; our real anxiety lies in the fate of those precious jamuns. Sharing isn’t about profound ideas but the chaotic potluck of preferences.
The gift exchange unfolds like a cinematic drama. Secret Santa is no secret, and the lucky recipient becomes the chocolate hero armed with a Nestle Milkybar that bluntly reads ‘Eat It.’ Destiny, it seems, is intricately woven into the fabric of white chocolate bars, turning a mere gift into a cosmic sign from the universe.
As the party wraps up, we’re not just a bunch of kids with our teachers; we’re a squad of comedians navigating the absurd Crescentian Chronicles, with ridiculous gift dilemmas and the everlasting sweetness of bad gulab jamuns over bad English paper marks. After all, we are the generation that gave Karan Johar his first hit, leaving behind a trail of laughter, chaos, and sugary goodness.
But now that governments have signed up to the unambitious Paris climate agreement and pledged to try to limit greenhouse gas emissions, we must ask whether we have lost sight of everything else. Is the environment just about carbon and parts per million of gases in the atmosphere? What about the environment that we can …
