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October is essentially ‘a film’. It is not a story, it cannot be a novel, it can only be a film. Visuals are the soul of the film, no powerful dialog, none of the excessively dramatic performances we are accustomed to in a hindi film, here the film conveys everything in a subtle sublime manner. …
After Ittefaq, another movie trying to recreate a mystery from the past, ‘Murder on the Orient Express’. The difference, Ittefaq tried to re imagine the original plot, however Orient Express retains the original plot, however the flaws are similar. The new movie is sleek, with revamped characters, minor changes in the background story for each …
In Hindu mythology, Swarg, home to Indra and celestial beings, symbolizes ultimate power. Indra’s throne embodies authority coveted across realms, paralleling modern ambitions for political and social influence. Satyavrata’s rebellious quest for uniqueness led him to forge a counterfeit Swarg with Vishwamitra’s aid, mirroring contemporary influencers’ self-created realities. Yet, true fulfillment eluded him as he defied natural order. His story challenges the pursuit of power at any cost, prompting reflection on the authenticity of desires. Swarg’s allure persists, echoing in societal aspirations and the mythological realm alike, illustrating humanity’s enduring fascination with power and distinction.
