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If you wanted a pure cinematic ‘paisa vasool’ experience, then look no further, the last scene of Rajnikanth’s ‘Kaala’ is complete in all respects. The symbolism of color, and sheer brilliance in portrayal is cinematic magic at it’s best, exploiting the ‘visual’ aspect of the medium, it is satisfaction in itself! There is a tradition …
Well I am not a music aficionado to tell you whether the title track of the movie. ‘Main Kaun Hun’ is a good song or not, but one thing is sure that the song is hammered so much throughout the movie, as a song, as a background score, at the end credits, that it makes …
Continued from Part 01 Let’s go bit’ Freud’ on Shvetaketu. While growing in the ashram of seer Uddhalaka, he had another companion named Ashtavakra. This Ashtavakra grew up to becomeone of the greatest sages. His works like Ashtavakra Gita and Ashtavakra Samhita explore topics like the nature of metaphysical existence and the meaning of individual …
