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टेलीगू / हिंदी क्रॉसओवर चित्रपट ‘गेम ओवर’ प्रसन्नपणे आश्चर्यचकित करणारा होता. गेमिंगची संपूर्ण संकल्पना चमकदारपणे एकत्रित केली गेली. त्यातील थ्रिलर, सायन्स फिक्शन (साय-फाय) ने मला ‘the day after tommorow’ सारख्या हॉलिवूड चित्रपटांची आठवण करून दिली. पण, मी म्हटल्याप्रमाणे त्या चित्रपटाने फक्त आश्चर्यचकित केले. होय ‘फक्त’ .. कारण जेव्हा मी ‘विक्की वेलिंगकर’ हा मराठी चित्रपट पाहिला …
‘Dystopia of Abundance’ is what I felt after watching the imagery in the movie ‘Annihilation’ . Dystopia is the favorite theme of most sci-fi movies, however the dystopia is mostly barren, deserted, a jungle of concrete, broken landscape, full of death and misery. In short it is the full cocktail of depressive imagery. Annihilation breaks …
In the chaotic realm of Crescent’s Christmas party, where gulab jamuns steal the spotlight, students embark on a culinary mission, diligently sorting into groups to bring home-cooked delights. Forget the fashion fuss; our real anxiety lies in the fate of those precious jamuns. Sharing isn’t about profound ideas but the chaotic potluck of preferences.
The gift exchange unfolds like a cinematic drama. Secret Santa is no secret, and the lucky recipient becomes the chocolate hero armed with a Nestle Milkybar that bluntly reads ‘Eat It.’ Destiny, it seems, is intricately woven into the fabric of white chocolate bars, turning a mere gift into a cosmic sign from the universe.
As the party wraps up, we’re not just a bunch of kids with our teachers; we’re a squad of comedians navigating the absurd Crescentian Chronicles, with ridiculous gift dilemmas and the everlasting sweetness of bad gulab jamuns over bad English paper marks. After all, we are the generation that gave Karan Johar his first hit, leaving behind a trail of laughter, chaos, and sugary goodness.
