In the chaotic realm of Crescent’s Christmas party, where gulab jamuns steal the spotlight, students embark on a culinary mission, diligently sorting into groups to bring home-cooked delights. Forget the fashion fuss; our real anxiety lies in the fate of those precious jamuns. Sharing isn’t about profound ideas but the chaotic potluck of preferences.
The gift exchange unfolds like a cinematic drama. Secret Santa is no secret, and the lucky recipient becomes the chocolate hero armed with a Nestle Milkybar that bluntly reads ‘Eat It.’ Destiny, it seems, is intricately woven into the fabric of white chocolate bars, turning a mere gift into a cosmic sign from the universe.
As the party wraps up, we’re not just a bunch of kids with our teachers; we’re a squad of comedians navigating the absurd Crescentian Chronicles, with ridiculous gift dilemmas and the everlasting sweetness of bad gulab jamuns over bad English paper marks. After all, we are the generation that gave Karan Johar his first hit, leaving behind a trail of laughter, chaos, and sugary goodness.
‘Dystopia of Abundance’ is what I felt after watching the imagery in the movie ‘Annihilation’ . Dystopia is the favorite theme of most sci-fi movies, however the dystopia is mostly barren, deserted, a jungle of concrete, broken landscape, full of death and misery. In short it is the full cocktail of depressive imagery. Annihilation breaks …
Tumbbad is story readers delight. For someone who reads a lot of stories or someone like me who watches a lot of stories, the perfection in the structure of the movie is pure pleasure. Mysteries are best when peeled layer by layer and still manage to have that one last surprise shift at the end. …