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Like the title divided in two languages, the movie can also be seen as a tale of two halves. One is raw, exciting, refreshing, and the other is slow, tiring…. with a smart ending! Over the years, Anurag Kashyap has created a brand for his ‘real’, ‘hard-hitting’ cinema, and as with any brand, we have …
Watching a movie twice in a theatre is the ultimate endorsement of a movie, and Adha-dhun compelled me to do so, for a simple reason – due to the modern invention of ‘the mobile phone’, my viewing of the piano-dead-body scene was highly interrupted. The scene is probably an iconic scene, in due time it …
If you wanted a pure cinematic ‘paisa vasool’ experience, then look no further, the last scene of Rajnikanth’s ‘Kaala’ is complete in all respects. The symbolism of color, and sheer brilliance in portrayal is cinematic magic at it’s best, exploiting the ‘visual’ aspect of the medium, it is satisfaction in itself! There is a tradition …
