{"id":2401,"date":"2020-04-22T13:40:19","date_gmt":"2020-04-22T13:40:19","guid":{"rendered":"https:\/\/idiagress.com\/vinaaypatil\/?p=2401"},"modified":"2021-08-08T11:58:03","modified_gmt":"2021-08-08T11:58:03","slug":"an-ode-to-qawwali","status":"publish","type":"post","link":"https:\/\/idiagress.com\/vinaaypatil\/2020\/04\/22\/an-ode-to-qawwali\/","title":{"rendered":"An Ode to Qawwali"},"content":{"rendered":"<p>Qawwali&#8217;s are simple performances, without a wide array of instruments or orchestra, etc. A chorus of claps modulates the underlying rhythm. Human anatomy limits the maximum beat that can be created by clapping. Hence, Qawwals use a table to get around this limitation and introduce faster beats in between the claps. A Harmonium is mostly ornamental, and audible when the singer reaches the low notes and during those stretched a&#8217;s (aaaaaaaa\u2026)<span class=\"Apple-converted-space\">\u00a0<\/span>\\<\/p>\n<p>We can classify Qawwali&#8217;s into two broad categories. Now a trained singer or musician might dispute this and can go into lengths about the different structures in a Qawwali. However, I write this ode from the perspective of listeners, based on the wide opinion of ONE esteemed listener.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>These categories are based on the way the audience involves itself in the Qawwali. One, when the audience is involved in the rhythm, the clapping, the vocals, the transitions. Two, when the audience is involved in the lyrics. Both need audience reaction, audience participation for a fulfilling performance, however the way they entice the reaction differentiates them.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Let&#8217;s look at the lyrics category first.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Some ground rules, the Qawwali <strong>&#8216;must&#8217;<\/strong> (this cannot be emphasized enough), use a word or a phrase that is not a part of the normal spoken language. It must have a word you need to google to find the meaning. Such words are borrowed from cousins of the Hindi language, Urdu, Farsi, etc.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>The second challenge is for the Qawwali is to have an overarching theme (usually heartbreak, divine love, etc), yet individual couplets or paragraphs must carry deep meaning emphasizing and reemphasizing the main theme.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>It is not merely scratching to write on a rock, Qawwali is akin to retracing, again and again, chiseling, until you get an inscription.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Let&#8217;s see an example<\/p>\n<h2>Qawwali:\u00a0Tu Bol Kaffara Kya Hoga written by Asim Raza<\/h2>\n<div class=\"vw-accordion\" data-open=\"false\"><div class=\"vw-accordion__header\"><h4 class=\"vw-accordion__title\">Devnagri Script Lyrics<\/h4><\/div><div class=\"vw-accordion__content\"><\/p>\n<p style=\"text-align: center;\">\u0924\u0938\u0915\u0940\u0928 \u0926\u093f\u0932 \u0915\u0940 \u0916\u093e\u0924\u093f\u0930 \u0924\u0941\u092e \u092c\u093f\u091b\u0921\u093c\u0924\u0947 \u0935\u0915\u094d\u0924 \u092e\u0941\u0938\u094d\u0915\u0941\u0930\u093e\u0924\u0947 \u0930\u0939\u094b \u0935\u094b \u091c\u093e\u0928\u0947 \u0935\u093e\u0932\u0947 \u0926\u0942\u0930 \u091c\u093e\u0924\u094d\u0924\u0947 \u0939\u0941\u090f \u092a\u0932\u091f \u0915\u0947 \u0928\u091c\u093c\u0930 \u092e\u093f\u0932\u093e\u0924\u0947 \u0930\u0939\u094b<\/p>\n<p style=\"text-align: center;\">\u0926\u093f\u0932 \u0917\u0932\u0924\u0940 \u0915\u0930 \u092c\u0948\u0920\u093e \u0939\u0948,\u0917\u0932\u0924\u0940 \u0915\u0930 \u092c\u0948\u0920\u093e \u0939\u0948 \u0926\u093f\u0932 \u0926\u093f\u0932 \u0917\u0932\u0924\u0940 \u0915\u0930 \u092c\u0948\u0920\u093e \u0939\u0948,\u0917\u0932\u0924\u0940 \u0915\u0930 \u092c\u0948\u0920\u093e \u0939\u0948 \u0926\u093f\u0932\u0964 \u0926\u093f\u0932 \u0917\u0932\u0924\u0940 \u0915\u0930 \u092c\u0948\u0920\u093e \u0939\u0948 \u0924\u0942 \u092c\u094b\u0932 \u0915\u092b\u093e\u0930\u093e \u0915\u094d\u092f\u093e \u0939\u094b\u0917\u093e \u092e\u0947\u0930\u0947 \u0926\u093f\u0932 \u0915\u0940 \u0926\u093f\u0932 \u0938\u0947 \u0924\u094c\u092c\u093e ,\u0926\u093f\u0932 \u0938\u0947 \u0924\u094c\u092c\u093e \u092e\u0947\u0930\u0947 \u0926\u093f\u0932 \u0915\u0940 \u092e\u0947\u0930\u0947 \u0926\u093f\u0932 \u0915\u0940 \u0926\u093f\u0932 \u0938\u0947 \u0924\u094c\u092c\u093e ,\u0926\u093f\u0932 \u0938\u0947 \u0924\u094c\u092c\u093e \u092e\u0947\u0930\u0947 \u0926\u093f\u0932 \u0915\u0940 \u092e\u0947\u0930\u0947 \u0926\u093f\u0932 \u0915\u0940 \u0924\u094c\u092c\u093e \u0915\u0947 \u0926\u093f\u0932 \u0905\u092c \u092a\u094d\u092f\u093e\u0930 \u0926\u094b\u092c\u093e\u0930\u093e \u0928\u093e \u0939\u094b\u0917\u093e \u0924\u0942 \u092c\u094b\u0932 \u0915\u092b\u093e\u0930\u093e \u0915\u092b\u093e\u0930\u093e \u092c\u094b\u0932 \u0915\u092b\u093e\u0930\u093e \u0924\u0942 \u092c\u094b\u0932 \u0915\u092b\u093e\u0930\u093e \u0915\u092b\u093e\u0930\u093e \u092c\u094b\u0932 \u0915\u092b\u093e\u0930\u093e \u0915\u092b\u093e\u0930\u093e \u092c\u094b\u0932 \u0935\u094b \u092f\u093e\u0930\u093e \u0915\u092b\u093e\u0930\u093e \u0915\u094d\u092f\u093e \u0939\u094b\u0917\u093e<\/p>\n<p style=\"text-align: center;\">\u0939\u092e\u0928\u0947 \u091c\u0941\u0917\u0928\u0942 \u091c\u0941\u0917\u0928\u0942 \u0915\u0930\u0915\u0947 \u0924\u0947\u0930\u0947 \u092e\u093f\u0932\u0928 \u0915\u0947 \u0926\u0940\u092a \u091c\u0932\u093e\u092f\u0947 \u0939\u0948 \u0939\u092e\u0928\u0947 \u091c\u0941\u0917\u0928\u0942 \u091c\u0941\u0917\u0928\u0942 \u0915\u0930 \u0915\u0947 \u0924\u0947\u0930\u0947 \u092e\u093f\u0932\u0928 \u0915\u0947 \u0915\u0940 \u0926\u0940\u092a \u091c\u0932\u093e\u092f\u0947 \u0939\u0948 \u0905\u0916\u093f\u092f\u094b\u0902 \u092e\u0947\u0902 \u092e\u094b\u0924\u0940 \u092d\u0930 \u092d\u0930 \u0915\u0947 \u0924\u0947\u0930\u0947 \u0939\u093f\u091c\u093c\u094d\u0930 \u092e\u0947\u0902 \u0939\u093e\u0925 \u0909\u0920\u093e\u092f\u0947 \u0939\u0948 \u0924\u0947\u0930\u0947 \u0928\u093e\u092e \u0915\u0947 \u0939\u0930\u094d\u092b\u093c \u0915\u0940 \u0924\u0938\u094d\u092c\u0940\u0939 \u0915\u094b \u0938\u093e\u0902\u0938\u094b \u0915\u0947 \u0917\u0932\u0947 \u0915\u093e \u0939\u093e\u0930 \u0915\u093f\u092f\u093e \u0926\u0941\u0928\u093f\u092f\u093e \u092d\u0942\u0932\u0940 \u0938\u093f\u0930\u094d\u092b \u0939\u093e \u0938\u093f\u0930\u094d\u092b \u0924\u0941\u091d\u0947 \u0939\u0940 \u092a\u094d\u092f\u093e\u0930 \u0915\u093f\u092f\u093e<\/p>\n<p style=\"text-align: center;\">\u0924\u0941\u092e\u094d\u0939\u0947 \u0939\u092e \u0938\u0947 \u092c\u0922\u093c \u0915\u0930 \u0926\u0941\u0928\u093f\u092f\u093e,\u0926\u0941\u0928\u093f\u092f\u093e \u0924\u0941\u092e\u094d\u0939\u0947 \u0939\u092e \u0938\u0947 \u092c\u0922\u093c \u0915\u0930 \u0924\u0941\u092e\u094d\u0939\u0947 \u0939\u092e \u0938\u0947 \u092c\u0922\u093c \u0915\u0930 \u0926\u0941\u0928\u093f\u092f\u093e,\u0926\u0941\u0928\u093f\u092f\u093e \u0924\u0941\u092e\u094d\u0939\u0947 \u0939\u092e \u0938\u0947 \u092c\u0922\u093c \u0915\u0930 \u0939\u092e\u0915\u094b \u0924\u0941\u092e \u0938\u0947 \u092c\u0922\u093c \u0915\u0930 \u0915\u094b\u0908 \u091c\u093e\u0928 \u0938\u0947 \u092a\u094d\u092f\u093e\u0930\u093e \u0928\u093e \u0939\u094b\u0917\u093e<\/p>\n<p style=\"text-align: center;\">\u0924\u0942 \u092c\u094b\u0932 \u0915\u092b\u093e\u0930\u093e \u0915\u092b\u093e\u0930\u093e \u092c\u094b\u0932 \u0915\u092b\u093e\u0930\u093e \u0924\u0942 \u092c\u094b\u0932 \u0915\u092b\u093e\u0930\u093e \u0915\u092b\u093e\u0930\u093e \u092c\u094b\u0932 \u0915\u092b\u093e\u0930\u093e \u0915\u092b\u093e\u0930\u093e \u092c\u094b\u0932 \u0935\u094b \u092f\u093e\u0930\u093e \u0915\u092b\u093e\u0930\u093e \u0915\u094d\u092f\u093e \u0939\u094b\u0917\u093e<\/p>\n<p style=\"text-align: center;\">\u0939\u092e\u0947 \u0925\u0940 \u0917\u0930\u091c\u093c \u0924\u0941\u092e \u0938\u0947 \u0914\u0930 \u0924\u0941\u092e\u094d\u0939\u0947\u0902 \u092c\u0947\u0917\u0930\u094d\u091c \u0939\u094b\u0928\u093e \u0925\u093e \u0924\u0941\u092e\u094d\u0939\u0947 \u0939\u0940 \u0932\u093e\u0926\u0935\u093e \u0939\u094b\u0915\u0930 \u0939\u092e\u093e\u0930\u093e \u092e\u0930\u094d\u091c\u093c \u0939\u094b\u0928\u093e \u0925\u093e \u091a\u0932\u094b \u0939\u092e \u092b\u093c\u0930\u094d\u091c\u093c \u0915\u0930\u0924\u0947 \u0939\u0948 \u0915\u0947 \u0924\u0941\u092e \u0938\u0947 \u092a\u094d\u092f\u093e\u0930 \u0915\u0930\u0924\u0947 \u0939\u0948 \u092e\u0917\u0930 \u0907\u0938 \u092a\u094d\u092f\u093e\u0930 \u0915\u094b \u092d\u0940 \u0915\u093f\u092f\u093e \u0939\u092e\u0940 \u0938\u0947 \u092b\u0930\u094d\u091c \u0939\u094b\u0928\u093e \u0925\u093e<\/p>\n<p style=\"text-align: center;\">\u0927\u0921\u093c\u0915\u0928 \u0927\u0921\u093c\u0915\u0928 \u0927\u0930\u0915\u0947 \u0927\u0930\u0915\u0947 \u0939\u092e \u0928\u0947 \u0927\u0921\u093c\u0915\u0928 \u0927\u0921\u093c\u0915\u0928 \u0926\u093f\u0932 \u0924\u0947\u0930\u0947 \u0926\u093f\u0932 \u0938\u0947 \u091c\u094b\u0930 \u0932\u093f\u092f\u093e \u0906\u0902\u0916\u094b\u0902 \u0928\u0947 \u0906\u0902\u0916\u0947 \u092a\u0922\u093c \u092a\u0922\u093c \u0915\u0947 \u0924\u0941\u091d\u0947 \u0935\u093f\u0930\u0926 \u092c\u0928\u093e \u0915\u0947 \u092f\u093e\u0926 \u0915\u093f\u092f\u093e \u0924\u0941\u091d\u0947 \u092a\u094d\u092f\u093e\u0930 \u0915\u093f\u092f\u093e \u0924\u094b \u0924\u0942 \u0939\u0940 \u092c\u0924\u093e \u0939\u092e\u0928\u0947 \u0915\u094d\u092f\u093e \u0915\u094b\u0908 \u091c\u0941\u0930\u094d\u092e \u0915\u093f\u092f\u093e \u0914\u0930 \u091c\u0941\u0930\u094d\u092e \u0915\u093f\u092f\u093e \u0939\u0948 \u0924\u094b \u092d\u0940 \u092c\u0924\u093e \u092f\u0947 \u091c\u0941\u0930\u094d\u092e \u0915\u0947 \u091c\u0941\u0930\u094d\u092e \u0915\u0940 \u0915\u094d\u092f\u093e \u0939\u0948 \u0938\u091c\u093e<\/p>\n<p style=\"text-align: center;\">\u0924\u0941\u092e \u091c\u093f\u0924 \u0917\u090f \u0939\u092e \u0939\u093e\u0930\u0947 \u0924\u0941\u092e \u0939\u093e\u0930\u0947 \u0914\u0930 \u0924\u0941\u092e \u091c\u0940\u0924\u0947 \u0924\u0941\u092e \u091c\u093f\u0924 \u0917\u090f \u0939\u092e \u0939\u093e\u0930\u0947 \u0924\u0941\u092e \u0939\u093e\u0930\u0947 \u0914\u0930 \u0924\u0941\u092e \u091c\u0940\u0924\u0947 \u0924\u0941\u092e \u091c\u0940\u0924 \u0917\u090f \u0939\u094b \u0932\u0947\u0915\u093f\u0928 \u0939\u092e \u0938\u093e \u0915\u094b\u0908 \u0939\u093e\u0930\u093e \u0928\u093e \u0939\u094b\u0917\u093e<\/p>\n<p style=\"text-align: center;\">\u0924\u0942 \u092c\u094b\u0932 \u0915\u092b\u093e\u0930\u093e \u0915\u092b\u093e\u0930\u093e \u092c\u094b\u0932 \u0915\u092b\u093e\u0930\u093e \u0924\u0942 \u092c\u094b\u0932 \u0915\u092b\u093e\u0930\u093e \u0915\u092b\u093e\u0930\u093e \u092c\u094b\u0932 \u0915\u092b\u093e\u0930\u093e \u0915\u092b\u093e\u0930\u093e \u092c\u094b\u0932 \u0935\u094b \u092f\u093e\u0930\u093e \u0915\u092b\u093e\u0930\u093e \u0915\u094d\u092f\u093e \u0939\u094b\u0917\u093e<\/p>\n<p><\/div><\/div>\n<div class=\"vw-accordion\" data-open=\"false\"><div class=\"vw-accordion__header\"><h4 class=\"vw-accordion__title\">English Script with Translation<\/h4><\/div><div class=\"vw-accordion__content\"><\/p>\n<p style=\"text-align: center;\"><i>Taskeen-e-dil ki khaatir tum<\/i><br \/>\n<i>Bicharrte waqt muskuraate raho<\/i><br \/>\n<i>O jaane wale door jaate huwe<\/i><br \/>\n<i>Palat palat ke nazar milaate raho<\/i><\/p>\n<p style=\"text-align: center;\">For the sake of my heart\u2019s comfort.<br \/>\nplease keep smiling as we break apart<br \/>\nas you leave far away from me<br \/>\nturn around again and again, glance at my eyes again and again<\/p>\n<p><i>Dil ghalati kar betha hai<\/i><br \/>\n<i>Ghalati kar betha hai dil<\/i><br \/>\n<i>Dil ghalati kar betha hai<\/i><br \/>\n<i>Ghalati kar betha hai dil<\/i><br \/>\n<i>Dil ghalati kar betha hai<\/i><br \/>\n<i>Ghalati kar betha hai dil<\/i><br \/>\n<i>Dil ghalati kar betha<\/i><\/p>\n<p>My heart has made a mistake<br \/>\nA sin has been committed by my heart (3)<\/p>\n<p><i>Tu bol kaffara kya hoga<\/i><\/p>\n<p>Please tell me, what will be the penance for me<\/p>\n<p><i>Mere dil ki dil se tauba<\/i><br \/>\n<i>Dil se tauba mere dil ki<\/i><br \/>\n<i>Mere dil ki dil se tauba<\/i><br \/>\n<i>Dil se tauba mere dil ki<\/i><\/p>\n<p>my heart bears apologies from my heart<br \/>\nheartfelt apologies from my heart (2)<\/p>\n<p><i>Dil ki tauba, aye dil<span class=\"Apple-converted-space\">\u00a0<\/span><\/i><br \/>\n<i>Ab pyaar dobara na hoga<\/i><\/p>\n<p>as I repent from my heart,<span class=\"Apple-converted-space\">\u00a0<\/span><br \/>\nit promises not to fall in love again<\/p>\n<p><i>Tu bol kaffara<\/i><br \/>\n<i>Kaffara, bol kaffara<\/i><br \/>\n<i>Tu bol kaffara<\/i><br \/>\n<i>Kaffara, bol kaffara<\/i><\/p>\n<p>Please tell me, what will be the penance for me(2)<\/p>\n<p>Kaffara, bol na yaara<br \/>\nO yaara, bol kaffara kya hoga<\/p>\n<p>Oh dear, Please tell me, what will be the penance for me<\/p>\n<p><i>Ham ne jugnu jugnu kar ke<\/i><br \/>\n<i>Tere milan ke deep jalaye hain<\/i><br \/>\n<i>Ham ne jugnu jugnu kar ke<\/i><br \/>\n<i>Tere milan ke deep jalaye hain<\/i><\/p>\n<p>one by one I collected individual glow worms (hopes)<br \/>\nto light the lamps for your embrace (2)<\/p>\n<p><i>Akhiyon mein moti bhar bhar ke<\/i><br \/>\n<i>Tere hijr mein haath uthaye hain<\/i><\/p>\n<p>I have cried and cried, with tears in my eyes<br \/>\nI have prayed and prayed in my separation from you<\/p>\n<p><i>Tere naam ke harf ki tasbheeh ko<\/i><br \/>\n<i>Saanson ke galay ka haar kiya<\/i><br \/>\n<i>Duniya bhooli, aur sirf tujhe<\/i><br \/>\n<i>Haan sirf tujhe hi pyaar kiya<\/i><\/p>\n<p>I chanted your name again and again, creating a rosemary with beads of your name<br \/>\nwearing that rosemary in my each breath<br \/>\nthe world passed me, as I lost touch with it<br \/>\nonly to love you.<\/p>\n<p><i>Tum jeet gaye hum haare<\/i><br \/>\n<i>Hum haare aur tum jeete<\/i><br \/>\n<i>Tum jeet gaye hum haare<\/i><br \/>\n<i>Hum haare aur tum jeete<\/i><\/p>\n<p>Your Victory was my loss<br \/>\nmy losses were your wins (2)<\/p>\n<p><i>Tum jeete hoo lekin<\/i><br \/>\n<i>Humsa koi haara na hog<\/i>a<\/p>\n<p>You may have simply won<br \/>\nyet, no one is as great a loser as me<\/p>\n<p><i>Mere dil ki dil se tauba<\/i><br \/>\n<i>Dil se tauba mere dil ki<\/i><br \/>\n<i>Dil ki tauba, aye dil<\/i><br \/>\n<i>Ab pyaar dobara na hoga<\/i><\/p>\n<p style=\"text-align: center;\"><i>Tu bol kaffara<\/i><br \/>\n<i>Kaffara,bol<\/i><br \/>\n<i>Kaffara,kaffara<\/i><br \/>\n<i>Bol na yaara<\/i><br \/>\n<i>O yaara, bol kaffara kya hoga<\/i><\/p>\n<p>my heart bears apologies from my heart<br \/>\nheartfelt apologies from my heart (2)<br \/>\nas I repent from my heart,<span class=\"Apple-converted-space\">\u00a0<\/span><br \/>\nit promises not to fall in love again<br \/>\nPlease tell me, what will be the penance for me(2)<br \/>\nOh dear, Please tell me, what will be the penance for me<\/p>\n<p><i>Hamein thi gharz tum se<\/i><br \/>\n<i>Aur tumhein begharz hona tha<\/i><br \/>\n<i>Tumhein hi la dawaa hokar<\/i><br \/>\n<i>Hamara marz hona tha<\/i><br \/>\n<i>Chalo ham farz karte hain<\/i><br \/>\n<i>Ke tum se pyaar karte hain<\/i><br \/>\n<i>Magar is pyaar ko bhi kya<\/i><br \/>\n<i>Hami pe farz hona tha<\/i><\/p>\n<p>for me you became my life\u2019s purpose<br \/>\nbut you had to become disinterested in me<br \/>\nAs incurable as you were<br \/>\nyou had to become my disease<br \/>\nlets presume that<span class=\"Apple-converted-space\">\u00a0<\/span><br \/>\nI had to fall in love with you<br \/>\nbut why this love<span class=\"Apple-converted-space\">\u00a0<\/span><br \/>\nbecame an obligation for me<\/p>\n<p><i>Dharkan dharkan dharke<\/i><br \/>\n<i>Dharke\u2026<\/i><br \/>\n<i>Ham ne dharkan dharkan kar ke<\/i><br \/>\n<i>Dil tere dil se jorr liya<\/i><br \/>\n<i>Aankhon ne ankhain parh parh ke<\/i><br \/>\n<i>Tujhe vird bana ke yaad kiya<\/i><br \/>\n<i>Tujhe pyaar kiya to tu hi bata<\/i><br \/>\n<i>Ham ne kya koi jurm kiya<\/i><br \/>\n<i>Aur jurm kiya hai to bhi bata<\/i><br \/>\n<i>Yeh jurm ke jurm ki kya hai saza<\/i><\/p>\n<p>with each heart beat<br \/>\nas I counted each beat of the heart<br \/>\nmy heart got attached to your heart<br \/>\nas I read into your eyes<br \/>\nI memorised you as the verses of prayer<br \/>\nYes I did love you, but can you tell me<br \/>\ndid I commit any crime by doing so<br \/>\nand if it was my crime, then you only tell me<br \/>\nwhat is the punishment for my crimes<\/p>\n<p><i>Tumhein ham se barh kar duniya<\/i><br \/>\n<i>Duniya tumhein hamain se barh kar<\/i><br \/>\n<i>Tumhein ham se barh kar duniya<\/i><br \/>\n<i>Duniya tumhein hamain se barh kar<\/i><\/p>\n<p>more than me this world is more important to you<br \/>\nthis world is more valuable to you than me(2)<\/p>\n<p><i>Ham ko tum se barh kar<\/i><br \/>\n<i>Koi jaan se pyaara na hoga<\/i><\/p>\n<p>but for me, nothing will be greater than you<br \/>\nnothing will be lovelier than you<\/p>\n<p><em>Mere dil ki dil se tauba<\/em><br \/>\n<em>Dil se tauba mere dil ki<\/em><br \/>\n<em>Dil ki tauba, aye dil<\/em><br \/>\n<em>Ab pyaar dobara na hoga<\/em><\/p>\n<p>my heart bears apologies from my heart<br \/>\nheartfelt apologies from my heart (2)<br \/>\nas I repent from my heart,<span class=\"Apple-converted-space\">\u00a0<\/span><br \/>\nit promises not to fall in love again<\/p>\n<p><em>Tu bol kaffara<\/em><br \/>\n<em>Kaffara,bol<\/em><br \/>\n<em>Kaffara,kaffara<\/em><br \/>\n<em>Bol na yaara<\/em><br \/>\n<em>O yaara, bol kaffara kya hoga<\/em><\/p>\n<p>Please tell me, what will be the penance for me(2)<br \/>\nOh dear, Please tell me, what will be the penance for me<\/p>\n<p><\/div><\/div>\n<p>These lyrics pass our first check with words like <em>kaffara<\/em> (penance), <em>takseen-e-dil<\/em> (heat&#8217;s comfort), <em>tasbeeh<\/em> (rosemary),<em> vird<\/em> (repeated, prayer). The rest of the words will sound familiar for a typical hindi speaker, yet some oriental spices are embedded in this wordplay. Like easter eggs in a movie, these are for the nerds of the art form, like the word <strong><em>gharz<\/em><\/strong> in the lines <em>Hamein thi gharz tum se<\/em>,<em> Aur tumhein begharz hona tha<\/em>. &#8216;Gharz&#8217; here can be easily interpreted at the hindi &#8216;Garaj&#8217; meaning &#8216;Need&#8217;. And the lines will still make sense as in &#8216;You were my need&#8217;. Yet, the textbook meaning of the word &#8216;<em>Gharz<\/em>&#8216; is &#8216;Purpose&#8217;. This transforms the line to &#8216;You were my purpose, my aim, my life&#8217;s purpose&#8217;. Thus adding more gravity and weight to the line, moving beyond a simple need, to a necessity.<\/p>\n<p>Talking of weight, the lyrics are laden with superlatives. You cannot be a simple loser, there has to be no greater a loser in this world than you (<em>Humsa koi haara na hoga<\/em>). These are lines that carry the Qawwali from the performer to the audience, these are the lines that entice response from the audience, and these are the lines that create anticipation for the audience.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>We can illustrate this with a simple example. The same lyrics above, first sung beautifully by the singer Sehar Gul Khan<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/XeMhpeMaCYs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>The song is good to hear but now listen to a version sung by a different singer, a male singer. However more than the gender difference, see how the song becomes more enjoyable to view by the reactions of the audience, the specific lines the audience wants to hear and the way they hold meaning for them, in a poetic way we can say that the lines \u00a0\u2018pierce their hearts\u2019<\/p>\n<p><iframe loading=\"lazy\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/Ehi66bSWB8E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Thus Qawwali becomes a free form, as it is never beholden to the original performer, it is adapted, rehashed, re-energised by the new performer, a newer audience. The audience is what drives it.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Another example is \u2018<em>Mere Rashke Qamar<\/em>\u2019. (Beauty which makes the moon envious ). This Qawwali\/song was in relative obscurity, only accessible to the hardcore fandom of the art. However, it exploded when a girl, a drunk girl interacted with the song and made it viral. It became so popular that ultimately Bollywood had to step in to destroy the song by making it part of a movie. (Baadshaho)<\/p>\n<p><iframe loading=\"lazy\" width=\"1140\" height=\"855\" src=\"https:\/\/www.youtube.com\/embed\/JEqY0tt8gWs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Since the virtue is locked in the lyrics the Qawwali&#8217;s of the first kind tend to be understandably long. Because if audience involvement is in the lines, there better be more lines. A typical song would have ended by the second time &#8216;<em>Kaffara&#8217;<\/em> appears and the whole &#8216;<em>gharz&#8217;<\/em> section would be absent, but in such a lyrical Qawwali they are essential.<\/p>\n<p>But all Qawwalis need not be too long. This brings us to the second category of Qawwali. They do not deviate from the core principle of audience enticement, involvement. They achieve the same effect by engaging the audience in the rhythm of the vocals. You need to create an atmosphere via the vocals, this is not a one-man job, you need a group of vocalists around the main singer, equally accomplished in their own way<\/p>\n<p>Let\u2019s illustrate this with an example<\/p>\n<h3>Chaap Tilak written by Amir Khusro<\/h3>\n<div class=\"vw-accordion\" data-open=\"false\"><div class=\"vw-accordion__header\"><h4 class=\"vw-accordion__title\">Devnagri<\/h4><\/div><div class=\"vw-accordion__content\"><\/p>\n<pre style=\"text-align: center;\">\u091b\u093e\u092a \u0924\u093f\u0932\u0915 \u0938\u092c \u091b\u0940\u0928\u0940 \u0930\u0947 \u092e\u094b\u0938\u0947 \u0928\u0948\u0928\u093e \u092e\u093f\u0932\u093e\u0907\u0915\u0947\r\n\u092c\u093e\u0924 \u0905\u0917\u092e \u0915\u0939 \u0926\u0940\u0928\u0940 \u0930\u0947 \u092e\u094b\u0938\u0947 \u0928\u0948\u0928\u093e \u092e\u093f\u0932\u093e\u0907\u0915\u0947\r\n\u092a\u094d\u0930\u0947\u092e \u092d\u091f\u0940 \u0915\u093e \u092e\u0927\u0935\u093e \u092a\u093f\u0932\u093e\u0907\u0915\u0947\r\n\r\n\u092e\u0924\u0935\u093e\u0932\u0940 \u0915\u0930 \u0932\u0940\u0928\u0940 \u0930\u0947 \u092e\u094b\u0938\u0947 \u0928\u0948\u0928\u093e \u092e\u093f\u0932\u093e\u0907\u0915\u0947\r\n\u0917\u094b\u0930\u0940 \u0917\u094b\u0930\u0940 \u092c\u0908\u092f\u093e\u0901, \u0939\u0930\u0940 \u0939\u0930\u0940 \u091a\u0942\u0921\u093c\u093f\u092f\u093e\u0901\r\n\r\n\u092c\u0908\u092f\u093e\u0901 \u092a\u0915\u0921\u093c \u0939\u0930 \u0932\u0940\u0928\u0940 \u0930\u0947 \u092e\u094b\u0938\u0947 \u0928\u0948\u0928\u093e \u092e\u093f\u0932\u093e\u0907\u0915\u0947\r\n\u092c\u0932 \u092c\u0932 \u091c\u093e\u090a\u0902 \u092e\u0948\u0902 \u0924\u094b\u0930\u0947 \u0930\u0902\u0917 \u0930\u091c\u0935\u093e\r\n\r\n\u0905\u092a\u0928\u0940 \u0938\u0940 \u0930\u0902\u0917 \u0926\u0940\u0928\u0940 \u0930\u0947 \u092e\u094b\u0938\u0947 \u0928\u0948\u0928\u093e \u092e\u093f\u0932\u093e\u0907\u0915\u0947\r\n\u0916\u093c\u0941\u0938\u0930\u094b \u0928\u093f\u091c\u093e\u092e \u0915\u0947 \u092c\u0932 \u092c\u0932 \u091c\u093e\u090f\r\n\u092e\u094b\u0939\u0947 \u0938\u0941\u0939\u093e\u0917\u0928 \u0915\u0940\u0928\u0940 \u0930\u0947 \u092e\u094b\u0938\u0947 \u0928\u0948\u0928\u093e \u092e\u093f\u0932\u093e\u0907\u0915\u0947\r\n\u092c\u093e\u0924 \u0905\u091c\u092c \u0915\u0939 \u0926\u0940\u0928\u0940 \u0930\u0947 \u092e\u094b\u0938\u0947 \u0928\u0948\u0928\u093e \u092e\u093f\u0932\u093e\u0907\u0915\u0947<\/pre>\n<p><\/div><\/div>\n<p style=\"text-align: center;\"><div class=\"vw-accordion\" data-open=\"false\"><div class=\"vw-accordion__header\"><h4 class=\"vw-accordion__title\">English Script and Translation<\/h4><\/div><div class=\"vw-accordion__content\"><\/p>\n<p style=\"text-align: center;\"><i>Cha\u0101p tilak sab chh\u012bn\u012b re mose nain\u0101 mil\u0101ike<\/i> <i>B\u0101t agam keh d\u012bn\u012b re mose nain\u0101 mil\u0101ike<\/i><\/p>\n<p style=\"text-align: center;\">You&#8217;ve taken away my look (chaap), my identity (tilak), and everything(sub) from me by looking into my eyes. You&#8217;ve said the unsaid (adham = secrets of divine nature), just by a glance.<\/p>\n<p style=\"text-align: center;\"><i>Prem bha\u1e6d\u012b k\u0101 madhv\u0101 pil\u0101ike<\/i> <i>Matv\u0101l\u012b kar l\u012bn\u012b re mose nain\u0101 mil\u0101ike<\/i><\/p>\n<p style=\"text-align: center;\">By making me drink the love of devotion. You&#8217;ve intoxicated me by just a glance<\/p>\n<p style=\"text-align: center;\"><i>Gor\u012b gor\u012b ba\u012by\u0101n, har\u012b har\u012b chu\u1e5biy\u0101n<\/i> <i>Ba\u012by\u0101n paka\u1e5b har l\u012bn\u012b re mose nain\u0101 mil\u0101ike<\/i><\/p>\n<p style=\"text-align: center;\">My fair, delicate wrists with green bangles on them, Have been taken off by you with just a glance.<\/p>\n<p style=\"text-align: center;\"><i>Bal bal j\u0101\u016bn main tore rang rajv\u0101<\/i> <i>Apn\u012b s\u012b rang din\u012b re mose nain\u0101 mil\u0101ike<\/i><\/p>\n<p style=\"text-align: center;\">I give my life to you, Oh my cloth-dyer, You&#8217;ve dyed me like yourself, by just a glance.<\/p>\n<p style=\"text-align: center;\"><i>Khusro nizaam ke bal bal jaiye<\/i> <i>Mohe suh\u0101gan k\u012bn\u012b re mose nain\u0101 mil\u0101ike<\/i><\/p>\n<p style=\"text-align: center;\">I give my whole life to you Oh, Nizam, You&#8217;ve made me your bride, by just a glance.<\/p>\n<p style=\"text-align: center;\"><i>B\u0101t ajab keh d\u012bn\u012b re mose nain\u0101 mil\u0101ike<\/i><\/p>\n<p style=\"text-align: center;\">You&#8217;ve said the wonder, by just a glance.<\/p>\n<p style=\"text-align: left;\"><\/div><\/div><\/p>\n<p>A relatively short poem, yet see how it is brought to life by the performance. And in the performance, it is not just the vocals, the expressions, the hand gestures, all contribute in carrying the performance to the audience.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/0fOSWsdbNbk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>The fundamentals are the same, however, the variations are important. This brings us to an interesting question.<\/p>\n<blockquote><p>Can you really become a fan of a Qawwali by just listening to it, rather by just listening to the audio?<\/p><\/blockquote>\n<p>maybe if you have a classical ear, but for us normal people, it is about the visual interaction with the rhythm, then maybe later we draw upon our memory to enjoy the performance on audio. However, minus the initial visual cues, it might prove daunting.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>The larger point here is about simplicity. The art form is deceptively simple, claps, something to bang on like a tabla, the harmonium is practically optional for creating a base rhythm, the only word to describe the setup is \u2018simple\u2019. I mean how complex can clapping get. Yet, they find resonance with the public. Without an orchestra, conductor, symphony, Yanni, Dolby sound, etc.<\/p>\n<p>This principle of simplicity transcends the art form. For example, why are the \u2018<em>kirtans<\/em>\u2019 and \u2018<em>kakad aartis<\/em>\u2019 (early morning temple recitations) so popular. Taalu replaces the Tabla, the rest of the instruments are optional as you have the claps. Simple and hence open to participation. Contrast this with the classical raaga, A Dhrupad is good to hear, but really can you open your throat and chug along!<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Whereas anybody who understands the rhythm of a clap can plug into the chorus, and if the raag becomes too heavy, just clap along, or raise your hands to say \u2018wah-wah\u2019<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>This might be the reason why 90\u2019s Hindi film music was so popular, it was so simple, that anyone could hymn a few lines here and there.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Thus we can title this prose as<\/p>\n<h2>A Simple Ode to the Qawwali<span class=\"Apple-converted-space\">\u00a0<\/span><\/h2>\n<p>&nbsp;<\/p>\n<p><meta name=\"twitter:card\" content=\"summary_large_image\"><br \/>\n<meta name=\"twitter:site\" content=\"@vinaaypatil\"><br \/>\n<meta name=\"twitter:creator\" content=\"@vinaaypatil\"><br \/>\n<meta name=\"twitter:title\" content=\"An Ode to the Qawwali\"><br \/>\n<meta name=\"twitter:description\" content=\"Can you really become a fan of a Qawwali by just listening to it, rather by just listening to the audio?\"><br \/>\n<meta name=\"twitter:image\" content=\"https:\/\/idiagress.com\/vinaaypatil\/wp-content\/uploads\/2020\/04\/twitter-header-template-2019.jpg\"><br \/>\n<meta property=\"og:site_name\" content=\"Idiagress\" \/><br \/>\n<meta property=\"fb:app_id\" content=\"1794302587529511\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Qawwali&#8217;s are simple performances, without a wide array of instruments or orchestra, etc. A chorus of claps modulates the underlying rhythm. Human anatomy limits the maximum beat that can be created by clapping. Hence, Qawwals use a table to get around this limitation and introduce faster beats in between the claps. A Harmonium is mostly &#8230;<\/p>\n","protected":false},"author":2,"featured_media":2406,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19,36],"tags":[360,356,359,357,358],"class_list":["post-2401","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-shayari","tag-amir-khusro","tag-chaap-tilak","tag-mere-rashk-e-qamar","tag-qawwali","tag-tu-bol-kaffara-kya-hoga"],"_links":{"self":[{"href":"https:\/\/idiagress.com\/vinaaypatil\/wp-json\/wp\/v2\/posts\/2401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/idiagress.com\/vinaaypatil\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idiagress.com\/vinaaypatil\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idiagress.com\/vinaaypatil\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/idiagress.com\/vinaaypatil\/wp-json\/wp\/v2\/comments?post=2401"}],"version-history":[{"count":6,"href":"https:\/\/idiagress.com\/vinaaypatil\/wp-json\/wp\/v2\/posts\/2401\/revisions"}],"predecessor-version":[{"id":2413,"href":"https:\/\/idiagress.com\/vinaaypatil\/wp-json\/wp\/v2\/posts\/2401\/revisions\/2413"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/idiagress.com\/vinaaypatil\/wp-json\/wp\/v2\/media\/2406"}],"wp:attachment":[{"href":"https:\/\/idiagress.com\/vinaaypatil\/wp-json\/wp\/v2\/media?parent=2401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idiagress.com\/vinaaypatil\/wp-json\/wp\/v2\/categories?post=2401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/idiagress.com\/vinaaypatil\/wp-json\/wp\/v2\/tags?post=2401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}