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Watching a movie twice in a theatre is the ultimate endorsement of a movie, and Adha-dhun compelled me to do so, for a simple reason – due to the modern invention of ‘the mobile phone’, my viewing of the piano-dead-body scene was highly interrupted. The scene is probably an iconic scene, in due time it …
Initial impressions of Raazi revolve around patriotism veering on the side of jingoism, however what unfolds on the screen is a deeply personal story, of the toll a conflict takes on individuals, questioning the boundaries of faith, love, loyalty, respect and above all duty. The most poignant dialog of the movie is at the end, …
