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In this age where being ‘intellectual’ is demonized you are not surprised when it is said that, ‘this film did not do well, because it was too intellectual’. In a nutshell, that is what happened to ‘Madras Cafe’. In reaction to that, John Abraham in his next venture seems to have reached the other end …

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If you wanted a pure cinematic ‘paisa vasool’ experience, then look no further, the last scene of Rajnikanth’s ‘Kaala’ is complete in all respects. The symbolism of color, and sheer brilliance in portrayal is cinematic magic at it’s best, exploiting the ‘visual’ aspect of the medium, it is satisfaction in itself! There is a tradition …

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  “Father, we need to take sides “Herngya clenching his fists he spoke to his father “It’s not easy to side, I just can’t walk into death’s arms”  waving his hands in in air Agpti avoided eye contact with Herngyaa. “This is our chance father. Long we have served Great  Ndra, long have we been …

across the board, many have praised this sitcom, for its far reaching effects in changing social understanding of issues like Gay marriage. However from an Indian perspective the series is plain funny. As an Indian audience, Star World has a special place, for the pure work it does, for filtering content before bringing it to …

हमने जो की थी मोहब्बत , आज भी है तेरी ज़ुल्फो के साये की चाहत आज भी है , रात काट टी है आज भी खयालो में तेरे , दीवानो सी वोह मेरी हालत आज भी है , किसी और के तसव्वुर को उठती नहीं , बेईमान आँखों में थोड़ी सी शराफत आज भी है …