[archiveorg idiagress-hq-issue-01 width=1120 height=1400 frameborder=0 webkitallowfullscreen=true mozallowfullscreen=true]
Whenever you visit a old 14th century fort, there is always a section in the fort, a partially collapsed wall, or a stone bridge, or an overhanging arch, around which a warning sign is posted, telling you that, this is a dangerous structure, way past it’s validity and may collapse at any time, so better …
The Tortoise and the Hare In Class I, Question: What is the Moral of the Story Ans. Slow and steady wins the race In Class V, Question: What do you understand from the story Ans. The hare thought that he was faster than the Tortoise and challenged him for a race, when the hare went …
Watching a movie twice in a theatre is the ultimate endorsement of a movie, and Adha-dhun compelled me to do so, for a simple reason – due to the modern invention of ‘the mobile phone’, my viewing of the piano-dead-body scene was highly interrupted. The scene is probably an iconic scene, in due time it …
In the chaotic realm of Crescent’s Christmas party, where gulab jamuns steal the spotlight, students embark on a culinary mission, diligently sorting into groups to bring home-cooked delights. Forget the fashion fuss; our real anxiety lies in the fate of those precious jamuns. Sharing isn’t about profound ideas but the chaotic potluck of preferences.
The gift exchange unfolds like a cinematic drama. Secret Santa is no secret, and the lucky recipient becomes the chocolate hero armed with a Nestle Milkybar that bluntly reads ‘Eat It.’ Destiny, it seems, is intricately woven into the fabric of white chocolate bars, turning a mere gift into a cosmic sign from the universe.
As the party wraps up, we’re not just a bunch of kids with our teachers; we’re a squad of comedians navigating the absurd Crescentian Chronicles, with ridiculous gift dilemmas and the everlasting sweetness of bad gulab jamuns over bad English paper marks. After all, we are the generation that gave Karan Johar his first hit, leaving behind a trail of laughter, chaos, and sugary goodness.
Qawwali’s are simple performances, without a wide array of instruments or orchestra, etc. A chorus of claps modulates the underlying rhythm. Human anatomy limits the maximum beat that can be created by clapping. Hence, Qawwals use a table to get around this limitation and introduce faster beats in between the claps. A Harmonium is mostly …
